Overview 




Music has since been an important part of Bahamian culture and culture on the whole for that matter. The indigenous instruments of The Bahamas are the goat skin drum, the conch shell and the cow bell (Deleaveux, 2015), foreign instruments have made their way into The Bahamas and they have been embraced and ‘Bahamianized.’ All evident by these artists who represent both the past and future of Bahamian music and also indigenous instruments and the embracing of foreign ones, this is a look into the lives and careers of three Bahamian musicians.

**References** 
References


Deleaveux, R. (2015, March 7). My Life So Far. (S. Russell, Interviewer)

Fox, C. (2015, March 9). Biography. (S. Russell, Interviewer)

Justilien, C. (2004, April 23). Bio. Retrieved from Musicians & Entertainers of The Bahamas: http://www.bahamasentertainers.com/Artist/PeanutsTaylor/pntsBio.html


Taylor, P. (2015, March 11). My Life. (S. Russell, Interviewer)
Reuben Deleaveux has been dubbed the master drummer and is nicknamed “Rumpapapum” he is the 4th best drummer in Bahamian history after King Eric, Peanuts Taylor and Chippy Chipman. He was born in Nassau on July 10th 1978, he attended the A.F Adderley Junior School then after he attended R.M. Bailey Senior High where he was a part of the school’s band and was taught by Lou Adams Jr., the son of the legendary Lou Adams Sr. 

Deleaveux’s father, Origin Deleaveux Sr. is a gospel musician, he bought his son a snare drum at the age of 2 years and the legend was born, Reuben also comes from a family of musicians. He recalls his early encounter with the drums, “I was making noise on the pots and pans and water jugs and he decided to buy me a drum at age 2 and I used to make all the noise and my uncle was a drum set player and I just watch and learn and went to school and the drum just became a part of me” (Deleaveux, 2015).From his early exposure to the drums Deleaveux has become a master, he recounts “I’m known as the king of the goombay drum, the goombay drum is the goatskin drum but I’ve mastered all drums from snare drum, the drum set, congo drum, bongo drum. I am the master drummer” (Deleaveux, 2015). Deleaveux’s career started in 1991 he describes his first solo performance:
“I think it was in 1991 I was introduced to some of the cultural legends like John Chippy Chipman and I was given the opportunity to perform with those guys on a show and on a particular night they didn’t come and the lady said man you always coming with daddy and man you can’t do nothing? I say I could beat drum ya know she say yea, misty chipman, she say man well come beat for me tonight then chippy them comin late and when I played the drum she was blown away because she didn’t know this guy was here comin to the show all that time with the grandsons with the children she didn’t know I was a master drummer so it started in 1991.”


Since, he has been very active in junkanoo playing with a number of groups over the years but he know plays with the group Genesis which formed in January of 2015, he is also a part of ‘Da Rhythm Band’ who perform regularly at Via Cafe downtown.
Da Rhythm Band

 He is also currently involved in the project Keep Junkanoo Alive which aims to bring awareness to junkanoo and have the season year round.  Deleaveux travels around the world to cultural shows and festivals representing The Bahamas and showcasing Bahamian culture through his talents as a master of the goombay drum.

 As an artist Deleaveux aims to bring goombay back as the music of The Bahamas and to become a manager and mentor in the future for younger Bahamian artists.
https://soundcloud.com/saxons-ceejay-morley/rueben-deleveaux-the-secret-sounds-of-the-bahamas-album05-thunder-roll


Videos






Peanuts Taylor, Chippie Chipman, Reuben Ruppapum Deleveaux and a host of performers recreate the hey day of Taylor's Drumbeat Club at the National Art Gallery.






Reuben Deleaveux performing at the Junkanoo Summer Festival, 2006




Peanuts Taylor performing at the Bamboo Town Spring Festival, 2010







Canela from Taylor's Moods Of Peanuts album




 Peanuts Taylor I've Got a Secret, January 4, 1965, appearance on Game Show Network

"Happy Birthday Bahamas" by Chris Fox





Chris Fox's album cover for "My whole life is music" 1985



Peanuts Taylor performing at Chez Paul Meeres, 1958


Chris Fox


Peanuts Taylor with former Miss Nassau Brenda Barry




Taylor's album cover for "Showtime at the Drumbeat



Peanuts Taylor at the Buena Vista Hotel, 1950



Reuben Deleaveux in his iconic performance costume



Peanuts Taylor



Peanuts celebrates his birthday with a beautiful cake in the shape of a bongo drum.



Taylor performing at the Buena Vista Hotel, 1951



Reuben Deleaveux


Peanuts Taylor performing at the Buena Vista Hotel, 1951



Reuben Deleaveux


Taylor pictured with King Errisson


Taylor's album cover for " Berkley Peanuts Taylor and his Goombay Drums" 1960



1980 PEP Talk radio show, Fox pictured left standing




Chris Fox, 1978


Chris Fox receiving his degree from Lee Berk, 1978





The Mighty Makers, 1978




Fox wins Goombay song writing festival competition



Taylor receiving the E. Clement Bethel Award for Excellence in the Arts from The College of The Bahamas' School of Communication and Creative Arts


Album cover for Taylor's compilation album "Show me the Drumbeat" 1964 



Reuben Deleaveux


(L-R) Peanuts Taylor, John 'Chippy' Chipman, King Errisson & Reuben Deleaveux
Chris Fox was born George Christopher Fox on Long Island on January 4th 1944, at the age of 10/11 the family moved to Nassau and Fox attended Southern Senior School where he was taught music by Mr. Timothy Gibson. Chris spent the majority of his upbringing in Nassau (Fox, 2015). It is here where he attended both Southern Junior & Senior High School, where his passion for music was fostered and nurtured, allowing him to be the first Bahamian to attend Berklee College of Music. 
Fox receiving his degree from Lee Berk, 1978

Fox grew up listening to the musical styling of Freddie Munnings Sr, George Symonette, Blind Blake, Tony Seymour, Ray Munnings “Funky Nassau” and Smoky 007. Fox started off playing the guitar he recounts 

“I didn't get into music cause of the first song I remembered hearing, because the music at that time was guitar. I sat on long island, and on long island my uncle had a guitar and he would never let me play it.  So what I would do is get the repellent, some kind of can (spray can) and I would put nylon string on it, then put a piece of head on it and then make my own guitar.  So that’s what got me into music, not song, the love for the guitar.” (Fox, 2015)

After leaving high school Fox performed a clubs around Nassau including the La Cabaret Theater on Paradise Island (Fox, 2015). The theater became his main spot, it was from working there that he made the funds to go to Berklee to study music, it was upon his graduation from Berklee that his career really started.

After graduating Fox traveled with his old group the Mighty Makers for a few years and performed with them he recalls, “All over the United States, all kind of places. Canada, US, places like that, and then in Nassau we played all over the place like the Trade winds lounge and Paradise Island and other places. Usually our group the Mighty Makers” (Fox, 2015), then went solo around 1984. After leaving the group he recorded his first album “My whole life is music” in 1985 (Fox, 2015). Fox mentions that he got his music influences from the styling of Quincy Jones and Freddie Munnings Sr. who he recalls really influenced him to go to Berklee 

“he use to have this orchestra in the 70s, he had it to the cat and fiddle and he use to bring all the tops styles from away and his orchestra use to play in Oliver and he really influenced me to get into music and that’s how I really got to go to Berklee. I wanted to do the kind of stuff he did, write music for big orchestras and stuff” (Fox, 2015)
 His education in music really put his career in full force Fox became the first Bahamian to graduate from Berklee College of Music and the first Bahamian to lead an orchestra in La Cabaret Theater he recalls the experience “But they had a white orchestra from England, Don Reagan use to be in charge of the orchestra, so after they went the producers asked me to put an orchestra together for the show. So that’s how I became the first Bahamian to lead an orchestra in the La Cabaret Theater” (Fox, 2015). Throughout his career Fox described his top 2 favorite performances:

“I guess my recital at Berklee College of Music. I was the first Bahamian to graduate from Berklee College of Music so the room was full up of people wanting to see who this first Bahamian was.  So to me, I’m believing that one was and one on Paradise Island called my whole life is music with all my original songs. I wrote about 20 songs in all I wrote for the show.  So I had all the Bahamians, all the top artist like King Eric, Smokey 007, you name it and they came to perform my songs.  So those two, I’ll remember those two.  The one at Berklee and the one on Paradise Island.”


Fox has written over 100 original songs, he has produced 10 albums all of his own and produced music albums for some Bahamian stars like Ronnie Butler, he’s also a writer and has a book that will be released soon call “In Pursuit of excellence” (Fox, 2015)

Fox resides at Nirvana,Love Beach and runs the Chris Fox Musical Institute where he does everything music from teaching classes to private lessons, sight readings for choirs, vocal training and more. Fox also has a band call the Nirvana Express who is currently participating in the Bahamas Junkanoo Carnival Competition. 


John Berkley Taylor was born June 20th 1935 in Nassau Bahamas, he spent his early childhood trotting curiously about the areas of Nassau where music lived. Thanks to Paul Meeres Peanuts’ singing and dancing was given center stage at the tender age of four (Justilien, 2004). Taylor got his career started through Meeres, he recalls:
 “I started entertaining when I was 4 years old, with Paul Meeres.  And Paul Meeres opened his club in 1939 and it was called the Paul Meeres Club, and I started there(Taylor, 2015)


He was walking by Paul Meeres’ club “Carbaret” where Meeres was rehearsing for an upcoming show, Peanuts shouted “I can sing and dance better than you!” and Meeres replied “A little peanut like you?” He asked peanuts to show him what he could do and at the moment a legend was born (Justilien, 2004). Peanuts reflected on his first performance:
“You have to remember that because in my first performance when I told Paul Meeres that I wanted to be a dancer and dance better than he can, and he told me why don’t I show him.  So he put me on the show and the people started throwing money, and instead of dancing I went and picked up the money. That was a good experience” (Taylor, 2015)

After that Taylor performed with Paul Meeres up until he was 19 years old at the many clubs that Meeres had around Nassau at the time. Initial Taylor was a singer and a dancer then he moved to the drums, he explained he doesn’t remember how he learned to play:
 “I don’t remember, I just picked up a drum and started playing.  But that’s not hard because we have Junkanoo and that is a lot of drumming. My first trip abroad was to Bermuda, I played at the Hotel in Bermuda” (Taylor, 2015).


When asked about the challenges of his career Taylor explained that:
“I never thought about challenges because it was a chance in those days just to work and be appreciated by the audience.  Don’t forget, when I started Nassau only operated three months a year a tourist spot.  The challenge was to be able, because I had to get an education.  I had a little deal with my grandmother, but if she allowed me to perform at the age of four, I would get a proper education.  So my challenge first of all was to be able to perform and also go to school to get a proper education.  So I went to school and graduated to be a teacher and then I found out I could not make any big money like I did in the entertainment industry. So after I worked as a teacher for a year” (Taylor, 2015)

Taylor’s career really took off in 1952 when he was asked by the Ministry of Tourism to travel the world and promote The Bahamas as a tourist destination. Taylor further explains that time:
“First of all I was hired by the Ministry of tourism to promote tourist to the Bahamas.  Because at that time he Bahamian tourist market only went from December to April, yeah from Christmas until April and then the whole town would close up, with nothing going on here no tourist, no people. We’d call it the winter season crowd. So the government at that time at me if I would go away and promote tourist to the Bahamas, because there desire was to make the Bahamas a year round Tourist destination.  So I went abroad, I went to Canada 5 times I went to the Middle East, Iran, and Turkey all over the place that area where they’re having all the problems now.  I went to Germany dozens of times because BOAC used to run between Nassau and London, and they had another airline called International Air Bahamas that used to run from Europe into Nassau, it was very very very cheap and we went abroad entertain in Germany and all over Europe, the people came to the Bahamas by way of international air Bahamas or BOAC” (Taylor, 2015)


From his travels he was exposed to the world which now became his stage, Taylor recalls some notable names from his career:
And then I was introduced to Hollywood California where I got a job working at Quiro’s Hollywood California. I got a job to work there after leaving Bermuda, I went to Quiro’s in Hollywood and worked there about three or four months and performed with Nat King Cole, the Mills Brothers, that’s how I became famous”

His slight frame was captured hypnotically under the glare of lights in the following guest appearances throughout 1957: “The Steve Allen Show”, “The Jack Parr Show”, “The Ed Sullivan Show”, “The Johnny Carson Show” and “The I’ve Got A Secret Show(Justilien, 2004).  He also performed for a whopping audience of 32,000 people in Earl’s Court, London which he described as his favorite performance:
A benefit for the whole island, like the Bahamas, in London, Haynes Oval. And they built like an island, where they had sailboats and everything, and I went there, and also a sales promotion team for The Bahamas also played there” (Taylor, 2015)


Today Peanuts still performs today at Cultural Festivals and other events upon request, when asked if he retired he said:
No. Entertainers don’t retire, if you say you are retired then you are just talking out of your head. As long as the people appreciate you, you won’t retire, it’s a beautiful life” (Taylor, 2015)